L`UOMO VOGUE / ITALY
http://www.condenet.it

Issue: Aprile / 2008
Page: 208


THE DESIGN AND ARCHITECTURE
"A world wide gallery of the most influential creative people"

Buchegger Denoth Feichtner is listed beside architects and designers such as
(in order of appearance) Rem Koolhaas, Zaha Hadid, Daniel Liebeskind,
Ronan and Erwan Bouroullec, Ron Arad, Philippe Stark, Marcel Wanders,
Marc Newson, Frank Gehry, Karim Rashid, Jean Nouvel, James Irvine,
Richard Meier, Studio Job, Alessandro Mendini, Maarten Baas, Konstantin Grcic,
Patricia Urquiola, Antonio Citterio, Patrick Jouin, Ferruccio Laviani, Jaime Hayon,
Graig Robins, Pierre Charpin, Andrée Putman, Piero Lissoni, Tokujin Yoshioka,
Martin Szekely, Ora-Ïto, Christophe Pillet, Aldric Beckmann, Matali Crasset,
Pierre Paulin, Jürgen Bey, Jan Kaplicky, Monica Förster, Ron Gilad, Tomita Kazuhiko,
Matteo Thun, Jean-Marie Massaud, Giulio Cappellini, Mårten Claesson, Eero Koivisto,
Ola Rune, Joris Laarman, Ross Lovegrove, Cino Zucchi, Humberto and Fernando
Campana, Martino Gamper, Buchegger Denoth Feichtner, Satyendra Pakhalé,
William Sawaya, Amanda Levete, Naoto Fukasawa, Giulio Iacchetti, Michael Young,
Arik Levy, Pia Wallén, Joel Degermark, Mario Bellini, Stefano Giovannoni,
Established & Sons, Roger Tallon, Front, Pablo Reinoso, Arne Quinze, Casper Vissers,
Edward Barber and Jay Osgerby, Norman Foster, Fabio Novembre, Fuksas, Mario Botta,
Ingo Maurer, Oscar Niemeyer, Tom Dixon, Galerie Kreo,


BUCHEGGER, DENOTH, FEICHTNER
by Roberto Croci and Carlo Prada

One studio in Vienna and one in Linz, both opened in 2001, after graduating at the
University of Arts in Linz…these are the head offices of BDF Design. In their work,
Bernhard Buchegger, Michael Denoth and Thomas Feichtner reject everything that is
traditional and believe that "industrial design" is an obsolete definition. They are
convinced that an object's functionality has already been widely explored in the design
field, ever since the era of the Bauhaus School, and they promote a concept based on
the economy; however, distinct from globalisation and mass production.
"We are always looking for something new, because it is simply the evolution of what
has been created up to now. Karl Lagerfeld once said that "creativity is a question of
knowledge"; when we create a chair we follow the same concept: we're not interested
in the technical aspects or if we can pile up 100, one on top of the other. What we want
to explore is the formal aspect". The future? Products with cultural references, including
local products created by small manufacturers.